As is typical of Hellenistic art, the Venus de Milo is a stylistically eclectic work, as artists of the period appreciated recovering, in new combinations, elements of older styles as a sign of erudition and as proof of technical mastery. Ivan Zoltovskij identified that its proportions follow the golden section, a classic canon par excellence, while Hellenistic works usually have more elongated forms. The impassive air of his countenance and the harmony of his facial features are common to the 5th century BC, of the so-called High Classicism, while the hairstyle style and the delicate modeling of the body point to the 4th century BC, of Low Classicism. Her general posture with a spiraling movement, her small breasts and the pattern of h
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