Description: What is the meaning of Jesus Christ on the cross? It is the path of human and divine liberation and salvation. For this death to really be death, as the last human loneliness, he went through the most terrible temptation anyone can go through: the temptation of despair. This is derived from his cry on the cross.
Description: Accordions (from 19th-century German Akkordeon, from Akkord—"musical chord, concord of sounds")[1] are a family of box-shaped musical instruments of the bellows-driven free-reed aerophone type (producing sound as air flows past a reed in a frame), colloquially referred to as a squeezebox. A person who plays the accordion is an accordionist. The concertina , harmoneon and bandoneón are related. The harmonium and American reed organ are in the same family, but are typically larger than an accordion and sit on a surface or the floor. The accordion is played by compressing or expanding the bellows while pressing buttons or keys, causing pallets to open, which allow air to flow across strips of brass or steel, called reeds.
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Description: Catholics claim that the salvation of all humanity is only possible because Mary said her yes to God. Since God decided that the Savior would come through Mary, also through her, we must be saved. Saved through Mary and not saved by her, as Catholics believe that only Jesus Christ is the Savior and Mary is His Blessed Mother, the co-regent with her Son Jesus. She collaborates with Him in the plan of salvation. “God wants to establish in the world the Devotion to My Immaculate Heart” (in Memoirs of Sister Lucia). God has established an effective way to save the souls of his children and thus return the long-awaited peace to the world. I repeat, Jesus is the one who saves!
Description: As is typical of Hellenistic art, the Venus de Milo is a stylistically eclectic work, as artists of the period appreciated recovering, in new combinations, elements of older styles as a sign of erudition and as proof of technical mastery. Ivan Zoltovskij identified that its proportions follow the golden section, a classic canon par excellence, while Hellenistic works usually have more elongated forms. The impassive air of his countenance and the harmony of his facial features are common to the 5th century BC, of the so-called High Classicism, while the hairstyle style and the delicate modeling of the body point to the 4th century BC, of Low Classicism. Her general posture with a spiraling movement, her small breasts and the pattern of h
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